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Gusa-La France ( 2000)

A year after editing the first record of battle in the country, "one dish" with the label came Funkdamental, DJ Gusa edited the penultimate reference to tape under his own label under LH, which gave out to all Collective work of L'H, consisting of Dad Maza, TOF and Ars Fusion group with Level-1 until its dissolution in 1998. The film had a great selection of songs from artists the scene of the neighboring country a few years that many consider his most creative. The following year, the renowned DJ Catalan reissued this work in CD format including a pair of bonus tracks, while they made appearances on the compilation 'Universonoro vol.6' published by BOA and the yearbook of the journal dirty rag, with would repeat its experience in 2001 edition.

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200 entries and this humble blog. A fairly large number that includes the selfless efforts and collaboration of both artists are displayed and many others who for one reason or another have not yet done, as well as hundreds of people who have approached to rescue his material or to share memories from here. A small project that at least for me it helps me realize that we are part of something big, a story, and things can work and succeed together. All Thanks again. Follow it in 2010, no doubt. Of course also a huge hug for all the people who for one reason or another can not pass the end and beginning of the year with loved ones and those who are no longer. Happy New Year to all.

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Lettuce "The boy of the Renaissance (1999)

jams common in the south of the peninsula since the mid 90's with ephemeral projects Poker (Later Case Zero), and then Sir & South and the Casa del Buen Rollo, Lechu was one of the essential b-boys in the expansion of Hip Hop in Jaén thanks to his relationship with much of the scene at the time . Two years after his excellent debut, Lechu returned to the fray with the release of their second job. Bomtrack Recorded between 1997 and 1998, the film had the usual freshness and originality of the MC of Úbeda and collaborations with familiar faces from the Andalusian scene as DJ Kader, Calage 13, Belin, Barbas, Demo, Chema, Robot and Kobe. This work had little distribution until its reissue in digital format with a few tweaks and additional material in 2003 year in which the cassette format was almost gone.

01 - Intro
02 - The race of life
03 - In the temple
04 - cramps (Interlude)
05 - Yes, a beginning ...
06 to 5 points of the compass
07 - The train station
08 - Yourself
09 - AUA
10 - Blood Brothers
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-Strike Force Strike Force (1989)

Authentic Catalan shakers of the scene, the AVT group (H Voltage) emerged in 1988 from the ashes of the break dance crew Rock Crew. In addition to the relevance of their contribution to the graffiti, the publication of fanzines as MTR, Aerosol or Barcelona Zulu, his attempts to establish the Unit Zulu, a radio program on Radio Ciutat de Badalona, \u200b\u200bhis work in the room and organizing Sowetto perhaps the most memorable jams in Barcelona in the early 90's, High Voltage had some local groups of the era's most influential in their ranks. Badia City from the group consisting Strike Force Jota (Nator), DJ Neas y Molina, was certainly a clear reference to all the groups that appeared later, not so much musically and for being pioneers in the attitude and awareness of his texts, with content beyond the purely festive and a firm commitment to defend the real Hip Hop. Later Jack Akemarropa form with Blazer and Neas, who a few years later as a DJ briefly militaria 7 Notas 7 Colores (MC legendary band Mucho Muchacho Neas and Blazer who recorded their first recordings under the name of Florivan) and form Falsalarma.

01 - The Hip Hop is not fashion
02 - In the wild side
03 - The road to peace
04 - Fuck
Top 40 05 - Time of truce
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The Levante-Savage Fury (1998) AJ

In 1998, Zeu, Roe 2, and Gary King (from left to right in the image), recorded this excellent single that the band wanted to jump into the professional format following year and that was unprecedented for internal purposes at its dissolution. Levante's Fury was one of the key bands in the national hardcore 90's thanks to its menacing sound and live, and these songs show the undeniable force and the excellent form of Mazarron in a year which began to guess a slow generational change in the scene.

01 - Wild

02 - B.boys
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Posse-Songs (1990-1992)

Established in 1990, the duo formed by José Manuel Gómez and José Blázquez (B-Boy J) old b-boy, writer MC and pioneer in the neighborhood of Jack, was one of the first groups of Zaragoza to show a committed and remote fashion by the media following the publication of the first collections to record levels in the country. The group only left two tracks recorded with the help of classic Foreign Nation after a second prize in the first contest of rap of Aragon, and later to his appearance on TVE Babylon, with only two years of experience, disappeared from scene left a deep imprint on the groups that appear later. A year later B-Boy J formed with pressure, Allen Beeler (MC Twist) and Ricky Ricardo Claan supergroup, with whom he edited a brilliant model of the same name in 1994 needed to understand the spin on the hardcore scene was taking Zaragoza.

01 - Do not know how to live

02 - The girl tried to kill me
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Youth Concert House district Oliver (1994) Crazy From Da

Zaragoza Zulu organization gave signs of intense activity during the years 94 and 95, bringing together much of the local scene by organizing rallies, graffiti competitions and concerts such as the present one, held on December 17, 1994 in the Youth House in Oliver. This concert served as an excellent example of the Living Health Zaragoza scene at the time of labor groups as memorable as what happens!, 10 or Hardcore Street Posse, Gangsta Squad and Kase.O with their debut work fresh from the oven, and Rapadelic Commité, band formed by General Urban D and then separated and about to start their careers separately.

01 - General D-I have come (Intro)
02 - General D-Straight to the psychiatric
03 - General D-comatose
04 - Hardcore Rap Street-murderer
05 - Hardcore Street-We same
06 - Hardcore Street-I do not want to fuck you
07 - Kase.O-De Zaragoza
08 - Kase.O "Let he
09 - Kase.O-Temptation
10 - Gangsta Squad-Creators of a sect
11 - Gangsta Squad-Violadores del Verso (with Kase.O and Hate)
12 - Gangsta Squad
trade-Producers 13 - Freestyle (Hate, General Kase.O and D) Download

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Universidad Catolica de Chile
&
Paopao
Productions PRESENT

TOY STORY

Andrew Ediap

The MUNE, an ideal companion for any little girl and Dito, faithful soldier two toys were waiting to be bought in a unique toy, until magically come to life and realize that the whole place is contaminated with "Tontueno."

As Dito MUNE and good friends, they begin an exciting adventure as they try to discover who is behind the pollution and thus be able save the rest of the toys.

But not alone the wrist and the soldier, will face Tito Robot, a toy that comes in the name of Manolo Tontueno evil, who will make it impossible for children to play with toys infected "tontueno" is transformed into fools.

This is the story of three toys that will meet and begin a magical journey where they discover the true meaning of friendship. Will Tito
robot Manolo disobeying orders Tontueno Or send to your friends to the cemetery of toys?

Come see what comes of this entertaining history of toys every Saturday and Sunday of October Saturdays at 16 º º and Sunday at 12 º º hrs. Extension Center of the Pontificia Universidad Católica de Chile, Sala Cinema.

The work done by the actors is intended to rescue the game, reinforce values, increase imagination through theatrical techniques such as direct interaction with our target audience in this case children and improvisational theater, all provided with the seal that characterizes our company.

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C-Tea Time (1996) All

Nothing and Word belonging to the Posse 10, Zaragoza, published this little gem of gangsta rap in a clear national attempt to break the stereotypes of the scene at the time. Produced entirely by OG Funk, with a sound between the g-funk hardcore Californian and New Yorker, the band was surprised by the use of Spanglish, committed and controversial texts of the MC's. A few months later, the duo renamed School Language editing Cold and Hard 'Hardcore ... Represent 'and after the release of the tape to Word alone, the large group was dissolving slowly giving way to other solo projects.

01 - Back in the night
02 - Gettin 'crazy
03 - Beware of the bitch
04 - This is the zone
05 - One step
06 - Bitch gives madafucaz
07 - The head gangsta
08 - Boom is a shit (Remix)
09 - Mad
10 - Two crazy's
11 - DJ Small hands
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MC's-Volume 2. Kaotic present (1997)

is an initiative of veteran Randy MG, MC of the legendary group ASN Crew Vallecas and promoter a lot of concerts at the underground in the second half of the 90's, the recopilatotios All MC's had the new faces of the Madrid scene with input and support bands outsiders such as School of Language Hard and Cold (Posse 10, Zaragoza) and the Collective L'H in full from the city. In this, his second volume, and the excellent appearance of one's own Randy MG, MC Ghetto Ben or 69, highlighting the contributions of the Dead Dungeon, the original group of renowned MC and producer Souchi with subsequent incorporation of MC Peen (now known as Jesus exists), and Sektor Zentral (Sake, Sta-K-Sanchez, Ryma, Ref, Dall, Koba and DJ XHack) a large band of Ciudad Lineal district still active despite the reunion, with Ryma, DJ Sanchez and Pacheco Sta.k front, currently working in the collective Uglyworkz. Four years later Randy MG MC CD compilation edited the Masters through Rock City Records as the culmination of an excellent and tireless work waving the scene of the capital.

01 - Sektor Zentral-In this world of shit
02 - Cool School of Language and Language-School Drive and Hard Cold
03 - Think requetepiensa (Randy MG, Sake & MC Ben)
04 - Merging Level-1-Thick and clear
05 - Dungeon of the Dead-The madness of the mind
06 - Kaotic this (@ 2) (Dungeon of the Dead, and Randy Zentral Sektor MG)
07 - Intro
08 - Sektor
Zentral-Old stories 09 - Randy MG & Dad's-Not at all
10 - Ben-MC
Suffering 11 - The Komplete Colektivo L'H (TOF Playaz, Fusion Level-1 & Dad Maza)
12 - Ghetto 69 - Rimo as I
13 - Kaotic this (@ 1) (MC Ben, Outline of the Opera, Dungeon of the Dead, Sektor Zentral, Randy MG, Ghetto 69 & Language School Cold and Hard)
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DJ Yata-As a way of life (2002)

The good disc jockey DJ Yata Cantabrian regaled us with his second mixtape three years after 'The truth is out there. " The tape, recorded in Güiskez & Güaskez Studios, was full of a good collection of underground classics and brilliant moment of freestyles from some of the most popular MC of the group's North Coast as Priteo and Ganda, Roke, King and Mitiko. Four years later edited the latter is the essential 'life absurd' in Fake Records and return to delight with its cool 'kind of discipline' in 2007 and 2008, and the recent 'Original' with DJ Rock2, all of them and published in digital format.

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-Deadman Deadman (2000)

Firstauditions Previews

The Bongo "Sing and Be Happy (2000)

In August 2000, The Bongo was a short break to record his third and last demo tape in the middle of gestation of the new issues that would lead to the 'Demo' the following year and its long-awaited professional debut in EP 'A new species' in 2002 with the group fully converted into a hip hop band. In 'Sing and Be Happy', John D and Michi, true representatives of the Northern Zone Positive spirituality and concepts of the Zulu Nation, for the first and only time we had songs recorded with instrumental outside with the notable collaborations Josele Leo, Arts & Kick Wan.

01 - Intro
02 - Hari haraye
03 - Feel cool
04 - light came
05 - You and I
06 - Personal Relationships
07 - You are here
08 - Hall where I
09 - God, you see
10 - Campeonaso
11 - Back in the
time 12 - This is my Hip Hop
13 - Delicious
14 - Back to the supreme
15 - Conection
16 - Let's get the envy
17 - Hip Hop Is
18 - Kirtan
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Posse 10 - Response to criticism (1994)

The film, produced entirely by Dr. Eddie, was the debut of one of the posses a greater number of members in mid-decade. Emerged in the neighborhood of Las Delicias in Zaragoza in the early 90's, 10's Posse was a clear attempt to break the clichés acquired by the scene of the Windy City, and 'response to criticism' was an excellent debut that would more other four tapes projects of some of its components before disbanding at the turn of the century.

01 - Intro (Posse 10)
02 - Why critical? (None)
03 - The World Seen from here (The Passenger del Verso)
04 - Crown (Ragga Man)
05 - Unnamed (Word)
06 - I hear a pump (urban effect)
07 - Fuck Tha Posse (Fuck Tha Posse)
08 - Gansta calls himself (nothing)
09 - 6 tips of Word (Word)
10 - The philosophy of micro (The Passenger of the Word)
11 - Us 2 (urban effect)
12 - Boom is a shit (Crazy From Da C)
13 - Final (Interlude)
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Road Discuss Rap talk about possibly the first rap group in the history of this country. Trying to confirm this is indeed a very difficult task given the strong influence of U.S. culture in this country in the early 80's, not only through film and music, but with such important events as the Olympics in Los Angeles in 1984, and more specifically, the local residents American bases in cities like Madrid. You can not tell who or who were the first to venture to do this kind of music for sure, but many of the b-boys remember the first time the duo of Villaverde and Alcala (hence the name) as possibly first serious proposal on the scene.

We went back to the first 80 and we are located in Alcalá de Henares. The son of a humble businessman hardware store owner, Emilio was introduced into the world of sound through the influence of a regular customer named Luis trade, while he was discovering the classics of break time tuning the music programmed in the base Torrejón de Ardoz air. Gradually he would learn from the first concepts after buying his first DJ equipment, a mixer and a turntable Dynacord Ocnoson belt drive with speed control. No doubt, some archaic equipment for someone who now has a whopping 26 years in a booth handing out rhythms. With the same innocence and insecurity that any beginner, Emilio then presented to a contest unattainable Keni's disco bar in the town encouraged by his friends, whose first prize allows you to access their first job. Night after night, its full of funk, soul, pop, disco and techno are gaining popularity and after four years filling the tracks several disco bars and Chintofano Alcala, Mr. Frank and The Shield, gives the expected jump to the capital. The year is 1987. An experienced and DJ Emilio becomes part of one of the most renowned clubs of the capital of the kingdom, Dinos Madrid, owned by José Luis Fradejas, host of TV Applause recalled the first TV English and located in the basement of Orense, in the mythical Azca, a place that sometimes housed meetings of b-boys of the time. That's where he met Periko, the MC who will undertake the difficult adventure of forming a rap group during a period where the Hip Hop in Spain is practically unknown to the ordinary citizen and is seen as a fad imported empty and unsubstantiated.

The explosion of rural exodus to the cities in the 60's in this country is stabilized and became commonplace in the following decades. Periko history was here like so many English families: a humble family of the people Zarza Capilla de Badajoz moved to Madrid in search of a better life calling in Villaverde low. The music of Kraftwerk German served as a stimulus for a boy who gradually became interested in the first issues the new style that began to arrive from the United States. From the sounds clubs specializing in funk, soul and disco that he frequented with his inseparable friend, Manuel Abad, Nuevos Ministerios became hooked on the new wave of break dance spread mainly by the film Beat Street in 1984. Many young people adopted the Hip Hop as a way confront the reality of time understanding their similarities with the African American community. Periko Pinieps Breakers formed his crew along with Manuel and some friends, early adopters of new artistic and cultural expression, not only break dance, one of its components, Tomy, specializing in graffiti, while Manolo Periko and began to write his first rhymes, recording the song 'Rap Orense', probably the first recorded rap theme here for a few b-boys: an ode to all urban dancers twisted their bodies on the gleaming marble of low Orense street.

EARLY GROUP

History of Rap was born in Azca Road in 1987 when he and his friends discover Periko Dinos disco in which Emilio exercises its role as disc-jockey offering selections of the best funk and electro the time. To a group of b-boys was surprising to find a place where the music programs in the very low Azca. E ste chance encounter was the beginning of one of the pioneer formations of this country. Remember as Emilio: "I remember it was a little cut Periko and it was their friends who did the honors introduce me as the artist the gang. Later I suggested that he might sing a live rap and not really put any kind of disability. The music stopped, I put a base and his friend began to patter Manolo phrases in English and Castilian. At that time sang his first rap in public and I rushed and improvised some scratchin and end is not entirely wrong. Best of all, it created some buzz because no one was quite used to seeing those things in nightclubs. A few weeks later I proposed to Periko the possibility to get together and record a demo, it seemed a good idea and we did. We recorded in my home and developed the first song called 'Tamprokemet's' . did not have much idea of \u200b\u200bscratching. As I recorded keyboards in live with a small keyboard he owned was a Yamaha Portamenu 100 of the little ones, in a word, a toy. We did the mixture on the basis of one of the issues John Jellybean Benitez "The mexican". The reaction of astonishment from the environment of their respective friends encouraged them to continue writing songs and in a natural way and Periko named Emilio Rap group as a Road, a name created with the compound of the populations of Villaverde and Alcala de Henares.

Emilio few months later changed his room and began work on Plato Jácara located in the Salamanca district of the capital, a nightclub that hosted big events like the presentation of the lp 'Bad' of Michael Jackson to the media, performances by Chaka Khan and J ames Brown . There he worked with Jesus Aguilar, one of the first people to bet for music of the duo. "When had a more direct relationship to it and talk about our musical tastes, l and told performed models related megamixes and models our rap group. Jesus asked me to present them in first in his radio program 'La Quinta Bundranaly generation', a program the best music funky d and the capital in or Radi Iris at 99.9 FM. My first mixer and the first models I made with Periko sounded for all Madrid and most impressive of all is that listeners the program to called to inquire and give us encouragement. " Thus began polishing his self-proclaimed style 'Funky Fresh' and promote it from the cabins of Air & Cherry rooms where Emilio exercised in 1988, from occasional performances in clubs in the capital and Kea or Four Roses, yat raves Radio Thousand Dances in RNE with support from Michael Box and Radio Sensation DJ Paco. Gradually the group began to take off. " later and the demos that we sent to different places, we program called Plastic to make our first performance in a TV studio. fly to Barcelona in Esplugas is where we recorded the performance. There he met his host Tinet and agree with the first vocalist Ya Kid K Technotronic group.

THE BOOM OF RAP IN CASTILIAN

Following a Madrid report called Hip Hop Miguel Trillo for South Express magazine in February 1988, producers Munárriz Jaime, Luis G. School and Julio Seijas decide to go to work to edit the first rap LP released in this country the following year under the label Trojan DSCS & RCRS. Immediately the multinational BMG Ariola sets her sights on exploring the new style and after a high-profile party in the disco Speek selection of Torrejon de Ardoz, brings together all groups that composed the memorable compilation Rap 'in Madrid. Rap Road appeared in it recommended by the Miguel Trillo thanks to his initial projection and its path to the theme crazy Story " In our case, all production is d evelopment in recording studios Luis Carlos Esteban, ex-keyboardist of the group Olé Olé. Producer of some of the themes of the LP with Marcos Calvo and Pedro del Moral, that together the three producers made up the group Rebel Without Pause. We with them we were unlucky because when we were developing the production viciously us did not have decaf and our ideas in mind, making the commercial version of the disc, which hurt us and took a picture we do not want at any time. "

The Press releases, radio and television began to be common to the impact of compilation in the country, which reached platinum with 100,000 copies shipped, and Rap Road are responsible for opening fire on Young MC performs concerts in Madrid and Barcelona presentation of the compilation and publishing in Spain of a number of American records under seal Rap label 'in. In turn, the group is becoming respect in the world of DJ and turntablist Emilio rising to the position of residence in the club Max Fine running a live video mix with the latest resources of time and being honored at Sonseca (Toledo) from the hands of national champion, 1990 DJs Pedro Cortes. BMG subsequently access them on a free transfer when applying claimed to appear on the LP Here Rap under the supervision of the producers themselves. But the duo, known for industry yl to press as the most professional group that batch, quickly was required by the producer of the company Passion Records Paco Martín, exproductor of Twins seal remembered as the discoverer of the group mass phenomenon of the early 80's, G. Men And so they start working with producer and DJ Mark Manzanares, which fully respects the group's ideas to shape what would be his first and only LP Do not stop the funky fresh.

Performance in the Madrid TV screenshot.

FUNKY FRESH

The album finally makes clear the intentions of Rap Road and clearly reflects its self-styled sound Funky Fresh. The productions influenced by the Miami Bass sound 2 Live Crew, MC Shy-D and electro funk classics like Afrika Bambaataa, Egyptian Lover, Planet Patrol, or Twilight 22, fit perfectly with the lyrical style and brash and uninhibited lyrics Periko, who dwells at home on issues such as Vice insatiable and Job , as a single theme and you edit a 7 " that year. Do not stop funky fresh has many interesting moments as cutting DJ Freestyle, Bass fresh waves or Human beat box by one of the most respected beatboxers Madrid Bee Charly times, and still retains the old flavor of classic, elegant 1990, despite the attempts of much Public ridiculous parallels to today. Unfortunately, the debut of the locals is difficult to find from the time of departure. According to Emilio recalls: "hurry ran the LP that we ordered ... We did prepare in forty days you do not stop working day and night, and later deposit in the drawer of his office not just make damn case. The only lashing some peel was Marcos. As many as 500,000 pts of those times. We do not collect or we travel to the study nor diets. To cap the presentation we did the LP in the program Good Morning by TVE morning we got it it, not even the we charge. "

Performance in Memphis nightclub - Denia (Alicante).

Despite lack of interest from Passion Records, Rap Road continues to appear on radio and television sporadically active in several clubs Charly Levante with Bee and the champion of Spain disc-jockeys 1988 and 1989 Dimas Carbajo, until presentation at the disco National the capital along the i nglés Ice MC. That years Emilio starts work with

K ool DJ X in cabin mythical disco Stone's of Torreja ng de Ardoz the that present some an themes of his debut LP . Stone's was one of the iconic local control of the origins of Hip Hop in Madrid on 80.

Far from giving expired and take ad two Chando the way walked, contact the Quality Records label recommended by DJ Paco Radio Sensation and 1991 sees the light maxi single Good idea! , with a good review of the famous Ma quale idea of Pino D'Angio produced with Alejandro Piqueras and Fernando Rodríguez.

However, the passage through the seal soon becomes tired of excuses and unpaid royalties, despite a promising live presentation with Soul Club and Jocelyn Brown at the club Deemaüer, and the group started a review of the classic unreleased Sex machine James Brown called sex machine registered with the same team of producers.

Presentation of the first LP on BBC1.

THE LAST STEPS

That same year Jesus Aguilar travels to Argentina by personal issues and takes your stay to make contacts in radio, television and nightclubs for the presentation of the recently released and unused next to the new maxi LP Good idea. His attempts do not get results, due in large part to the total lack of support from the record company of the group. After his attempts to promote the group and the return of Argentina, signed in Madrid an advertising campaign with the missing American food brand to Wendy who recorded a series of radio spots.

radio Wedge 10 of Henares' Time of the Soul by Emilio dj Funky. "

In 1992, Emilio performs program The time f unky soul with quite successful in station Alcalá de Henares 10 and Radio is claimed with Tito, the club DJ's Stone, by BMG-Ariola AOR Manuel Ferriz to take command of the disco sound Air Madrid, a task which he combines with his work as a DJ at the club terrace Complutense BB +. A year later the two DJ's advantage to collect the best tracks for the compilation funk MC93 edited by the record company MCA.

Slowly begin to realize the few economic outlets that rap was at that time in Spain and contact with Pinardo Fernando, executive director of ILM Productions located in the Wafer street of Madrid, which has shown facet interested in electronic dance duo. And so co n J you é Q uilez of the legendary Dark Power begin a new stage focused on dance music, first under the name MS-XX which released Gran fiesta medieval, and later renamed In-Out, releasing the singles Are you ready , an adaptation of the theme of Newcleus

Automated , T rance in my house and finalmete My pillow and Bartolo versions in house and techno rap. Despite the number of issues that were bill in 1993 and 1994, the situation was not exactly desirable : "The experience with this company was I think the worst, because we did work to receive just no money. I think we do not charge more than 30,000 pts. J oseph was slowly losing the will to go into the studio and I proposed change Periko record company and start over again. It was hard. At that time Periko and I had some professional disagreements and decided to stop working as a team and alone thereafter produced a theme for the record company Javier Ussía Disco Club. Edited it with my own name, Emilio DJ Old School, reversal, the issue of early 80 Babe, we're gonna love tonite of Lime Lime II (Denis & Denyse Lepage). With this last record there was no luck and finally decided to stop production, but before I realized with a set of mixtures Javier Call Trax vol.3, a mixer geared especially to professionals in the club. "

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1997 sees the light in the classic compilation Representative E17 E17 released by the label X Studios DJ Kool and the year after the debut of the Madrid Duo Kie The famous 12/13 under the same seal. Both works feature the work of Emilio remastering which are today its latest incursion into the recording industry. That same year also happens reunion between our two protagonists, which decided to produce together again, prepare a compilation of all their s remastered tracks for E17 Studios in 2000 which eventually become unpublished. Emilio Since then both behind DJ DJ House Productions as Periko, now renamed as Cuculus DJ in his role as a disc-jockey, have increasingly become two artists well known in the field of electronic music . Surely, as the rap in Spain continued refusal to become an adult and take his story still have to wait long to enjoy their songs edited again.

Rap-Model Road and unpublished (1987-1992)

01 - The Tamprokemet's (1987)

02 - I have wanted to eat (first model) (1987)

03 - Do not stop the Funky Fresh (First Version) (1987)
04 - Do not stop the Funky Fresh (Remix) (1989)
05 - Do not stop the Funky Fresh (Demo version for the record) (1990)
06 - The Minister (1988)
07 - Job (1990)
08 - make me laugh! Who bites ... (1990)
09 - Periko not stop (1988)
10 - Rapper Periko is the best (1988)
11 - Traffic mix (DJ Emilio) (1989)
12 - It's just a trick (1990)
13 - Prelude Emilio turbo scratch DJ (1992)
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Rap-Gingles Road (1990-1992)

01 - Road Wendy Wedge Rap-1 (1991)
02 - Rap-Wedge Road Wendy 2 (1991)
03 - Periko-bounce wedge Hour of Funky Soul with DJ Emilio (1992)
04 - Emilio DJ Wedge The Soul Funky Time (1992)
05 - Rap-Wedge Road Radio Centro Alcalá (1990)
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